As my
husband and I are in the process of decluttering and downsizing I am finding so
many tidbits here and there that evoke so many memories. Each time I come
across a school project that one of my (now grown) offspring did in school I
automatically picture them at that age – I swear it’s like a photo just flashes
in front of me. I’ve come across so many other memorable treasures as well,
some that make me laugh and others that set the tears in my eyes.
Memories are
super strong motivators.
I try to
give my characters strong memories, even when I don’t share the actual memory
with my readers, I know what is in that character’s heart and I let it steer
her reactions and feelings. In His LuckyCharm and Within the Law Caitlyn
is very motivated by her memories (she is the heroine in His Lucky Charm, her
cousin Tom is the hero of Within the Law). Her strongest memory in both stories
is about the parents she lost as a little girl from a car accident. The loss
doesn’t stifle her but it does make parts of the story very poignant.
In another
story, Final Sin, Julie, a
paramedic, is very driven in her independence and being a modern woman because
of her memories of overprotective and overbearing older brothers. At the same
time Jake, her love interest and a homicide-investigating sheriff, is haunted
by the failure of his first marriage and his desire not to let his son suffer
because of the discord with his ex-wife.
In a
previous life I was a Theatre and Drama student (yes, at one time I aspired to
act on stage) and it was common to be taught using the Stanislavski Method
Acting System. Stanislavski (real name: Constantin Sergeyvich Alekseyev) wanted
actors to have sincere motivation behind every action they took on stage. It
wasn’t enough for a director to tell them to slam a door, Stanislavski wanted
them to actually feel the anger behind the movement. If they needed to cry in
the scene he wanted them to remember the sorrow they may have experienced in
their own lives.
When I
create a character I compose a basic dossier (the more major the character the
more detailed the history) so I know what motivates them, what scares them,
what makes them happy, and what drives them in all of their interactions. Often
I think of my own memories to understand what would evoke the different
emotions in my character’s life, and yes, there are many times I cry or laugh
right along with them. In Within the Law Tom goes to visit the grave of his
high school sweetheart and fiancĂ©, my character wasn’t the only one with tears
in his eyes.
Like
Stanislavski’s methods, I believe that if my characters are genuine in their
emotions then my readers can believe in them and can be involved in the story.
Reading a book is supposed to be a little like taking a vacation from the real
world, but it’s also supposed to be more than just reading words. I hope that
by employing Stanislavski’s Method Acting to my writing I can (stealing a line
from Calgon here) take my readers away for just a little while.
Author Chelle Cordero |